@article{8a615eb246d64c79823878c9f2944b53,
title = "法隆寺所蔵阿弥陀三尊像(伝橘夫人念持仏)の造形表現と鋳造技法および切削研磨",
keywords = "造形構想, 切削研磨, 軟質・硬質, 鋳造技法, 様式論, 金銅仏, 白鳳時代, Sculpturing concept, cutting/grinding, softness/hardness, casting technique, style theory, golden and bronze Buddha, the Hakuho period, ゾウケイ コウソウ, セッサク ケンマ, ナンシツ ・ コウシツ, チュウゾウ ギホウ, ヨウシキロン, コンドウブツ, シロ ホウ ジダイ",
author = "千佳 三宮 and 温尚 三船",
year = "2018",
month = jun,
language = "日本",
pages = "65--80",
journal = "Journal of the Society for the History of Asian Casting Technology, FUSUS",
issn = "1883-0056",
publisher = "The society for the history of Asian casting technology",
number = "10",
}